Das Angebot
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Workshops in Berlin
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Acting Foundation Course I
A 5 Day Creative Dream Work
Creating Personal Narrative for Solo Performance
On-Camera Acting Masterclass Int./Adv.
Storytelling Workshop with Mike Alfreds
Online: Chekhov´s “Three Sisters” with Mike Alfreds
Shakespeare Workshop with Di Trevis
Milton Justice – The Stella Adler Technique
Cinematic Storytelling for the Actor
Advanced Scene Work with Terry Knickerbocker
Dreamwork for Actors and Artists
Acting Through Dreams & Scene Study
Acting Masterclass with Greta Seacat
Actors’ & directors’ tools
Online: Story for Tellers with Tomer Adorian
Screen Naturalism
Showreel Camp
Character Analysis & Movement Psychology
Acting Teachers/Coaches
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Matthias Schott
Amanda Lovejoy Street
Martin Moran
Eric Reis
DI TREVIS
Mike Alfreds
Milton Justice
Welker White and Damian Young
Terry Knickerbocker
Miranda Harcourt
Greta Seacat
Pamela Scott
Rainer Hackstock
Tomer Adorian
Geordie Brookman
James Kemp
Testimonials
Interviews
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Interview Sandra Seacat
Interview Ken Rea
Interview with Ken Rea
Interview Seamus McNally
Lectures
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Webinar – Q & A with Terry Knickerbocker
The Studio
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Rebooking
Private Acting Coaching
Quick fix & fresh viewpoint
Gift Vouchers
Archive (workshops)
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Solo Performance Masterclass
Andy Murray
Acting Shakespeare with Andy Murray
Directing Your Solo Performance
Online: Analysis of Schnitzler´s “Reigen”
Joan van der Mast
An introduction to the “Brahe Mask Work”
Sandra Seacat
An Introduction to Creative Dream Work
Storytelling and Adaptation Workshop
On Characterization with Mike Alfreds
Acting Workshop Sandra Seacat
Page to Stage: Scene and Character Building
Space, the body and physical devising
Actors’ Intensive
Susan Batson Technique
Pavel Farsky
„Just Act – Sing!“ with Pavel Farsky
Seamus McNally
Film/TV Scene Study – Dee Cannon
Dee Cannon
Ron Burrus
Camera Acting – Stella Adler with Ron Burrus
Mastering the On-Camera Audition
Coach, Director, Scene
Susan Batson Technique Intensive
Intimacy On Set with Ita O’Brien
Ita O’Brien
Paul Miller
Calendar
Actor Training News
Your Support/Projects
Imprint
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Get in Touch
Media
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Pictures
Project made by Ukrainian Artists
Videos and Podcasts
Lexicon Acting Techniques
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Different approaches – Different Acting Techniques
Shakespeare & Acting Skills
The Stanislavsky Technique
The Vakhtangov Acting Technique
The Impact of Kabuki Theatre on Film
The Impact of German Expressionism on Film & Theatre
The Group Theatre: Pioneers
German and American Theatre – Erwin Piscator
Brecht: Shaping Roles With a Critical Lens
The Stella Adler Acting Technique
The Lee Strasberg Acting Method
The Uta Hagen Acting Technique
The Meisner Technique
Analysis Through Action – Active Analysis
Peter Brook: Revolutionizing Theatre with Vision
George Tabori’s Unique Approach
Examining the origins of Ariane Mnouchkine’s Theatre
Athol Fugard: Shaping South African Theatre
“Different Every Night” Director Mike Alfreds
The Practical Aesthetics Acting Technique
Physical Training – emphasis on Laban
Improvisation
Keith Johnston – the Principles of Improvisation
Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
Dreams: Actors Preparing for Roles
Play Analysis
Playwrights
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The three Greek playwrights Aeschylus, Sophocles, and Euripides
Revenge in Historical Plays and Tragedies
The Theme of Revenge in Historical Plays and Tragedies
Vengeance in Tragic Works: An Analysis of Medea
The Timeless Legacy of Chekhov and Ibsen
Arthur Miller
Tennessee Williams
Samuel Beckett
Acting training involving mask work
Playing with masks vs. social media
Creating Personal Narrative
On-Camera Acting Classes for Actors
Acting Experience: Directing Insights
The Pros and Cons of Self-Taping
Self-Tape Techniques
Self-Tape Tips
Self-Tape Tips II
Basic training can be crucial
“I only memorize the lines!”
Session 1: “Blood Wedding” mit Mike Alfreds
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Session 6: “The Cherry Orchard” mit Mike Alfreds
Session 2: “Blood Wedding” mit Mike Alfreds
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